by William Shakespeare directed by Charles
Cecchi
with: Luca Romani, Valentina Ruggeri, Portuguese Gabriel, David Jordan, Sofia Pulvirenti, Barbara Ronchi, Enoch Marrella, Cecilia Zingaro, Silvia D'Amico, Luca Marinelli, Simone Lijoi, Fabrizio Falco.
The play perhaps cooler than Shakespeare reflects the freshness of the soul generation (the young lovers) e la freschezza della giovanissima generazione di attori che la interpreta. Lo spettacolo è nato come approfondimento del saggio di fine corso della classe di attori diplomatisi all'Accademia Silvio D'Amico nel 2009. Già allora la regia fu affidata a Carlo Cecchi, che decise poi di proseguire il lavoro con questo gruppo e costruire uno spettacolo che è stato presentato al Festival dei Due Mondi di Spoleto. Al Teatro Franco Parenti arriva sconvolgendo il foyer, che per l'occasione si chiude trasformandosi in una sala: anche il luogo, così informale, conferisce un piacevole carattere di freschezza nell'utilizzo disinvolto degli ingressi, coerenti ma variati e dinamici.
Tutta questa freschezza non si riflette, purtroppo, as a director. In addition to not submit any ideas enlightened about many ideas that the book proposes, does not add to the intent of the demonstration formula in the rate of closure, and even the recitazone boys. Too much so, the acting sucked too, and a few talents to make this show a nice féerie , nothing more.
Cecchi From a master of innovation as one would expect some more risk, legitimate from material still immature actor with whom he worked.
certainly among the most valuable we note the music played live by the boys (as well as musicians), with a score guessed (in fact it is the music consultant Nicola Piovani) alternating in the roles and lively.
A lively we was not found in too many static scenes, when the rhythm of the text requires a change of pace. Domina, now and forever unchallenged, the greatness of Shakespeare's text, capable of making us dream and have fun regardless of the staging and nonstante the significant mismatch between the level of the actors. So it happens that the most successful scenes are those in the company of actors, driven and led by the excellent Luca Marinelli / Botto: comic grimace without falling into easy, with expert timing and charisma as an actor, talent shows Marinelli has already emerged in Loneliness of primes. Along with him, albeit with a talent yet to be refined, Valentina Ruggeri / Hippolyta / Titania and Barbara Ronchi / Elena, the only life to put into words, making them credible, and investing the meaning that Shakespeare had read in them.
Surely the profession will grow these actors. But in front of a setting like this we ask: what is the witness who has a master bequeathed to potential teachers of tomorrow? The actors, working from the living, will know very well, but what value does this teaching, if it is not able to translate it into an expression that knows how to communicate itself to the public?
seen at Teatro Franco Parenti il 24.I.2011
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