Sunday, March 13, 2011

Are There Any Racing Games That Are Street?

WHO 'THE SCENE!

compendium of the shows that we must not lose in week 14 to 20 March

MONDAY 'March 14
EVENTS ...
Biblioteca Sormani - 18.30
Hall Grechetto - Via F. Sforza 7
Filippo Timi meets the public ahead of the debut of its next show, "Fable. There was Once a child. And I was because now there is no more ", which will be staged at the Teatro Franco Parenti from 21 March to 10 April.

DEBUTTI...
Citus, altius, fortius - Teatro Martinitt - via Pitteri 58
dal 14 al 16 marzo
Nuovo spettacolo di Stefania Pigato, primo appuntamento della rassegna "Olympic Games: la danza incontra lo sport"

MARTEDI' 15 MARZO
DEBUTTI...
Nathan il saggio - Piccolo Teatro Grassi
Nuova produzione del Piccolo Teatro. Con la regia di Carmelo Rifici e un cast di altissima qualità (su tutti Massimo De Francovich e Fausto Russo Alesi)

FRIDAY 'March 18
DEBUTS ...
I could be me - Space Theatre 89, via F.lli Zoia 89
18 and 19 March
Dionisi New production of the Company, one of the emerging realities of the independent theater

Saturday, March 19
DATE ONLY ...
Francois Bon's Daewoo, directed by Serena Sinigaglia - Piccolo Teatro Studio Theatre
office within the fifth edition of Face à face - Words of France for scenes of Italy, Italy's leading contemporary authors in France staged by Italian companies

Sisters of Italy - Varese, Varese Theatre - Piazza Repubblica
The Unity of Italy as seen through the songs that have made history, reinterpreted in two brilliant women of the stage as Isa Danieli and Veronica Pivetti

DEBUTS ...
Pink, me & the roses - Pim Off
19 and 20 March
Produzione Codice Ivan e Centrale Fies, vincitore del Premio Scenario 2009

AFFRETTATI! Gli spettacoli che chiudono il 20 marzo...
Un flauto magico di Peter Brook al Piccolo Teatro
...riservato a chi ha già il biglietto perché è sold out da tempo
Cruel+tender al Teatro Litta
...a volte fa bene vedere anche i brutti spettacoli
Urge di Bergonzoni al Teatro Elfo Puccini
...imperdibile giocoliere delle parole
DA VEDERE ALSO ...
Orgy of Pasolini at the Teatro Out Off
Project Horovitz Theatre Elf Puccini
The row Horovitz at the Teatro Due of Parma
Krapp's Last post by Beckett at the Teatro Due of Parma

theater at all ... Good!

Phlegm In Babies Lung

Lucid Dream or Reality 'ONIRIA? COMEDY OF THE AMAZING COUPLE Spregelburd

Even the family the focus of the investigation of the theatrical art medium. Invisible and indelible place of violence, in which the characters try to find their identity. Place that should be of shelter, protection, help in the process of affirmation of self, and instead turns out to be the first ring in which we are called to fight.
They fight and fight each other protagonists of Lucido, comedy (but better define tragicomedy ) of young (born in 1970, but we have a forty is artistically a baby) "teatrista" (author, actor, stage director) Spregelburd Rafael Argentina, which we learned about thanks to Bizarra , the "theater soap" presented at late (or maybe not) Naples Theatre Festival, and won the Premio Ubu 2010 as best foreign news, and thanks to ' Eptalogia published by Hieronymus Bosch by Ubulibri.
The plot unfolds in the folds of a family history of disturbing and surreal: a daughter girl donates a kidney to her little brother is dying, after fifteen years of being away from home back to recover the body worked. Unleashed explosive dynamic between all components of the household, including the new friend of her mother, in a rhythm by continuous slip planes of reality and the surreal, in which the protagonist (the son who was given the kidney), patient psychological treatment bizarre Apiro to achieve the "lucid dream", that dream where you keep the clarity necessary to control events.
The essence of this writing emerges directing the company's discrete Costanzo / Rustioni: fair because it does not yield to the temptation to overwrite a texture that comic would have been redundant and annoying. Spregelburd writes calculating the laughter: the audience knows when to laugh and when to hold their breath, playing with the reversal of perspective, with the surprise effect of continuous (but non-redundant) plot twists until the final coup de Theatre that displaces the viewer notice without surprise your expectations.
The two directors choose the only effective way of staging, that of naturalism, both in acting that in setting the scene (with hyper-realistic details.) The lights reflect your surroundings: the dream and the real one, but the realism of living is so exasperated by being perceived as surreal. In short, the creation of fireworks is Spregelburd and perhaps exceeds the virtuosity of the writing just enough to make the difficult emotions.
The text, though the fun of the movements of the plot leaves many topics for consideration, including the most incisors are the affirmation of the self of Luke, the protagonist, the assessment of the value of a life cut short at the apex or carried out with the difficulties of growth marked by setbacks and disappointments, the family ties so cumbersome to manage and live.
"Every home is a world" Says the mother, and what we propose is a family built on a "pact of lies and transplants .
The score is embodied in an impeccable comic by Milena Costanzo who plays the mother with a rare natural . Beside her Roberto Rustioni nell'antitetico dual role of waiter / lover. Not at their level, the two young men, Maria Vittoria Scarlattei and Antonio Gargiulo.
seen at the Theatre on 12.III.2011

SLIDE
of Rafael Spregelburd
translation Valentina Cattaneo e Roberto Rustioni
con Milena Costanzo, Roberto Rustioni, Antonio Gargiulo, Maria Vittoria Scarlattei   

Saturday, March 12, 2011

How To Install Color Gel

VACIS-BINASCO NOT WIN THE CRUSADES

"Una dolorosa notizia" giunge dal Teatro Franco Parenti: la coppia di campioni teatrali Vacis-Binasco non vince la sfida con Lessing.
Binasco, dopo essere riuscito a stappare un'espressione persino a Riccardo Scamarcio, dimostrando di saper dirigere gli attori con maestria, in Crociate si fa guidare da Vacis, emblema del teatro di narrazione. Lo spettacolo è loosely based on Nathan the Wise, Lessing's dramatic poem, composed in 1779: manifesto of religious tolerance, equality between religions, the coexistence of peoples, the story takes place in Jerusalem's Muslim Saladin, has as its protagonist the jew Nathan and his adopted daughter, was born a Christian but raised as a Jew, with whom he falls in love with a young Templar.
wealth of stories narrated in Nathan it gives exposure to very didactic and simplified operation is necessary, given the amount of the five documents produced by Lessing, but subject to the risk to be superficial, since the stated intent divulgatorio needs approachable a tutti.
Dell'immenso testo di Lessing viene mantenuto, quasi letteralmente, il racconto dei tre anelli, punto focale del tessuto etico-filosofico del dramma: il Saladino chiede al saggio Nathan di dirgli quale delle tre religioni monoteiste sia la migliore, e questi risponde raccontando la parabola del padre che lascia in eredità ai figli tre anelli perfettamente identici, tanto da non riuscire a distinguere quale fosse l'originale.
La riscrittura drammaturgica di Vacis non approfondisce i significati filosofici del poema, ma segue piuttosto la linea narrativa di fatti intrecciati in maniera avvincente, in un crescendo di agnizioni fino al ricongiungimento finale.
Nella scrittura del regista trovano spazio, prima getting to the heart of Lessing's poem, the poem of the time of Qohelet, whose power is capable of creating concise suggestions in the Middle East, the Tasso's Jerusalem Delivered el ' undecipherable arabesque Elsa Morante, taken from the poem The World saved by children, whose shares Vacis form that mixes philosophical meanings and everyday reality. In the show, in fact, is familiar (or, at least, this should be done) with the character of Bottazzi, classmate of the protagonist-narrator - as a boy by the intelligence end - stutter (perhaps chosen a bit 'too consenting to stereotyping of the characters that they abstracted from the concrete in these characters are called) and leader of the bitter conclusion.
The show has a very evocative and striking opening scene, in which actors interact to create a video projection and interactive setting effective. The warm, golden light, which is designed for an elegant game of reflections that make the scene dynamic, enveloping, and the use of white cloth covered with different functions (wall, ceiling, veil, fifth) were hoping for a fantastic director . Instead the show is flattened in the style of narrative theater, and devoted to the statically nailed all'avanscena poverty of props.
Binasco not convinced with his interpretation of colloquial diction with the imprecise and "dirty", with lack of rhythm was unable to use music (capable, she did, to create images to provide the imagination of the public) to modulate the rhythm of words.
The suspicion is that you can not take advantage of the enormous wealth of a text, that of Lessing, who has a lot to be said for the current ethical and philosophical assumptions, and instead to remain stationary in a size that does not affect the contemporary. That the director, then, do not abdicate its mission and authorial not shirk the duty of the public Offir interpretation of this messiscena and not a "service"!
look forward to assist the interpretation of which will Nathan the Wise (this time quasi-integral) Carmelo Rifici in the new production of the Piccolo Teatro, which will debut Tuesday, March 15 at the Teatro Grassi Street Rovello.
seen at the Teatro Franco Parenti 2.III.2011
CRUSADES
Loosely based on Nathan the Wise Gotthold Ephraim Lessing
adaptation, mitigation and directed by Gabriele Vacis
with Valerio Binasco

Thursday, March 10, 2011

Does Conair Hair Straightener Work

La collina dimenticata

L i have seen, they move at night. I must hurry to get out of here. The last light of day are low. I already feel them shake off the expectation of a short daytime lethargy. I cut the icy air of his face. And to think that once, on this hill, everything was different, this was a quiet haven where you can come to enjoy the magnificent view over the plain Morano closed from the sea to the north of the vertical chain of Pollino.
primary schools over the past three years, I have always had the bench near the window, how many times I imagined looking down this hill, I thought he saw a hut made from planks of wood and thatch, ma altro non era che un illusione ottica causata dai colori e dai tratti della vegetazione che creavano, nella mia mente di instancabile e irrequieto Tom Sawyer, quell’immagine di libertà e di vita all’aria aperta. Ci andai un giorno, incamminandomi lungo quella che un tempo era una larga mulattiera e che partiva dall’attuale Via Domenico Cappelli, c’erano solo dei muri a secco che la delimitavano, era tracciata su questa collina come una linea della mano perché la gente, le parole e le cose qui un tempo crescevano insieme, avevano una storia comune che oggi fa parte della memoria dimenticata.
Su questa collina, a giugno, le ginestre sprigionavano al tramonto il loro profumo more intense in summer, little more than an adolescent in love with me apart and made love the scent of red skin and the scent of wild sage and dandelion. This was the preferred location of bees foraging charges coming down to the east hives of Uncle Frank. Today we have built concrete hives of bees did not like. The small insects from these places are gone forever.
This hill eventually ended up in the hands of groups of speculators, a crony-business lobby, far from seeing the interests of our country, but to look to its well-realized. Because I think only of corrupt minds, minds blinded by the money (fees, planning and expertise that may be), can conceive of certain logical planning. And Morano the new one is a prime example. It represents the inability to look far for those who managed and those who continue to administer without ideas, without being able to interpret the tradition of the land and the beauty of our landscape. At first to draw a road followed the winding path of the donkeys, now the roads are being built by a new breed of horse that bipedal seen the results would do well to examine their four-legged cousins.
Better get out of here, the dusk is upon us. At night this place has become the place of evil, there is a surreal atmosphere that drives away the beauty of what once was a wonderful view and the times are far in August when we came here with Louis armed with a hunting telescope of falling stars and other cosmic visions. Now this is a place that does not come more, not even during the day because the tools that come, the barbed wire, walls painted drawings sometimes macabre and the holes of cement and can not get sucked see the light. I saw everything, even underwear stained with blood. In these places they hide, in this piece of hell costruito dagli uomini. Questa “Costa” di notte vive crepando, di giorno muore come un paese intero. Non avventuratevi mai in questo posto perché i lampioni sono senza armature, i campi di calcetto sono senza porte e strisce, negli spazi adibiti ad arredo non ci sono panchine, le ginestre strappate alla loro terra sono state ripiantate nei posti dove loro non vogliono stare, scendono giù a valle con la terra che cede. Attenzione quando inforcate qualche strada, potreste ritrovarvi contro qualche muro, perché in questo pezzo di terra ormai maledetto da Dio le strade non hanno più sbocchi, sono state tappate da muri storti per far posto ad altre strade che a loro volta cedono, si spaccano e gemendo si accasciano verso il cemetery.
They returned to plunder the world of the hill, never mind of what the landscape was a time and could continue to represent, to vehicle-case of our identity. They came back like hungry maggots on a carcass. And continue to do so elsewhere, you will see.

Once there was a lot of wisdom in the hills, there was a longstanding, ancestral between man and land, a blend of natural harmonies mingled with the historical product of socio-environmental schemes and how the towers marks the passing of the day, the hill marked man with the seasons.
The hill is dying, helpless falls under the last blows of the mechanical monsters. The death of the hill embodies our indifference Morano, embodies the death of an entire community.
There are places in Morano, streets, abandoned buildings, places where the light comes with difficulty and where at night and better not be, places of filth and neglect. I am referring to the sports facilities in Via Martiri della Libertà now receptacle of young people in many different hours of the day and I assure you that do not play football at all, I am referring to basements and abandoned the monastery of San Bernardino, Schools Elementary "V. Severini, "the houses of the Bronx and CER-I continue but I will stop here. I wonder how one can have fun to break the windows of a school. I was a boy I was certainly not a saint, but my antics have never gone beyond the simple go for campaigns to steal some beans, a few handful of cherry or grape. No vent anger against the public affairs. But there was so much anger vented during the football matches.
Non voglio certo criticare ne condannare l’operato della mia gente, ma cercare piuttosto di capirlo. Ma per quanto io mi sforzi non riesco proprio a capire gli atti vandalici ai beni pubblici. Per gli atti vandalici autorizzati una risposta credo l’abbia trovata: i soldi, l’economia, la core business.
Che ne sarà di questo paese, del nostro territorio, delle bellezze che ai più restano ancora nascoste, che ne sarà della poca gente che non si arrende, di coloro che non vogliono essere vinti. In che luogo vivrà un giorno mio figlio.

Mi allontano cercando la memoria del passato nel profilo perduto della collina. Mi va di pensare che un giorno potrò ancora perdermi su questa collina e scorgere un altro paese che non sia il degrado di quello presente. Ma credo che resterà solo un sogno perché abbiamo perso il paesaggio degli occhi e del cuore e più nessuno ne è angosciato for the simple fact that we are no longer neighbors affectionately to our land.
As I walk the shadows left me stand in the street. I was surrounded. For me it's over ... ...
not ever venture into the hill forgotten, you may regret. This is the place where years ago they made the blood pact ...