Even the family the focus of the investigation of the theatrical art medium. Invisible and indelible place of violence, in which the characters try to find their identity. Place that should be of shelter, protection, help in the process of affirmation of self, and instead turns out to be the first ring in which we are called to fight.
They fight and fight each other protagonists of Lucido, comedy (but better define tragicomedy ) of young (born in 1970, but we have a forty is artistically a baby) "teatrista" (author, actor, stage director) Spregelburd Rafael Argentina, which we learned about thanks to Bizarra , the "theater soap" presented at late (or maybe not) Naples Theatre Festival, and won the Premio Ubu 2010 as best foreign news, and thanks to ' Eptalogia published by Hieronymus Bosch by Ubulibri.
The plot unfolds in the folds of a family history of disturbing and surreal: a daughter girl donates a kidney to her little brother is dying, after fifteen years of being away from home back to recover the body worked. Unleashed explosive dynamic between all components of the household, including the new friend of her mother, in a rhythm by continuous slip planes of reality and the surreal, in which the protagonist (the son who was given the kidney), patient psychological treatment bizarre Apiro to achieve the "lucid dream", that dream where you keep the clarity necessary to control events.
The essence of this writing emerges directing the company's discrete Costanzo / Rustioni: fair because it does not yield to the temptation to overwrite a texture that comic would have been redundant and annoying. Spregelburd writes calculating the laughter: the audience knows when to laugh and when to hold their breath, playing with the reversal of perspective, with the surprise effect of continuous (but non-redundant) plot twists until the final coup de Theatre that displaces the viewer notice without surprise your expectations.
The two directors choose the only effective way of staging, that of naturalism, both in acting that in setting the scene (with hyper-realistic details.) The lights reflect your surroundings: the dream and the real one, but the realism of living is so exasperated by being perceived as surreal. In short, the creation of fireworks is Spregelburd and perhaps exceeds the virtuosity of the writing just enough to make the difficult emotions.
The text, though the fun of the movements of the plot leaves many topics for consideration, including the most incisors are the affirmation of the self of Luke, the protagonist, the assessment of the value of a life cut short at the apex or carried out with the difficulties of growth marked by setbacks and disappointments, the family ties so cumbersome to manage and live.
"Every home is a world" Says the mother, and what we propose is a family built on a "pact of lies and transplants .
The score is embodied in an impeccable comic by Milena Costanzo who plays the mother with a rare natural . Beside her Roberto Rustioni nell'antitetico dual role of waiter / lover. Not at their level, the two young men, Maria Vittoria Scarlattei and Antonio Gargiulo.
seen at the Theatre on 12.III.2011
SLIDE
of Rafael Spregelburd
translation Valentina Cattaneo e Roberto Rustioni
con Milena Costanzo, Roberto Rustioni, Antonio Gargiulo, Maria Vittoria Scarlattei
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