"Una dolorosa notizia" giunge dal Teatro Franco Parenti: la coppia di campioni teatrali Vacis-Binasco non vince la sfida con Lessing.
Binasco, dopo essere riuscito a stappare un'espressione persino a Riccardo Scamarcio, dimostrando di saper dirigere gli attori con maestria, in Crociate si fa guidare da Vacis, emblema del teatro di narrazione. Lo spettacolo è loosely based on Nathan the Wise, Lessing's dramatic poem, composed in 1779: manifesto of religious tolerance, equality between religions, the coexistence of peoples, the story takes place in Jerusalem's Muslim Saladin, has as its protagonist the jew Nathan and his adopted daughter, was born a Christian but raised as a Jew, with whom he falls in love with a young Templar.
wealth of stories narrated in Nathan it gives exposure to very didactic and simplified operation is necessary, given the amount of the five documents produced by Lessing, but subject to the risk to be superficial, since the stated intent divulgatorio needs approachable a tutti.
Dell'immenso testo di Lessing viene mantenuto, quasi letteralmente, il racconto dei tre anelli, punto focale del tessuto etico-filosofico del dramma: il Saladino chiede al saggio Nathan di dirgli quale delle tre religioni monoteiste sia la migliore, e questi risponde raccontando la parabola del padre che lascia in eredità ai figli tre anelli perfettamente identici, tanto da non riuscire a distinguere quale fosse l'originale.
La riscrittura drammaturgica di Vacis non approfondisce i significati filosofici del poema, ma segue piuttosto la linea narrativa di fatti intrecciati in maniera avvincente, in un crescendo di agnizioni fino al ricongiungimento finale.
Nella scrittura del regista trovano spazio, prima getting to the heart of Lessing's poem, the poem of the time of Qohelet, whose power is capable of creating concise suggestions in the Middle East, the Tasso's Jerusalem Delivered el ' undecipherable arabesque Elsa Morante, taken from the poem The World saved by children, whose shares Vacis form that mixes philosophical meanings and everyday reality. In the show, in fact, is familiar (or, at least, this should be done) with the character of Bottazzi, classmate of the protagonist-narrator - as a boy by the intelligence end - stutter (perhaps chosen a bit 'too consenting to stereotyping of the characters that they abstracted from the concrete in these characters are called) and leader of the bitter conclusion.
The show has a very evocative and striking opening scene, in which actors interact to create a video projection and interactive setting effective. The warm, golden light, which is designed for an elegant game of reflections that make the scene dynamic, enveloping, and the use of white cloth covered with different functions (wall, ceiling, veil, fifth) were hoping for a fantastic director . Instead the show is flattened in the style of narrative theater, and devoted to the statically nailed all'avanscena poverty of props.
Binasco not convinced with his interpretation of colloquial diction with the imprecise and "dirty", with lack of rhythm was unable to use music (capable, she did, to create images to provide the imagination of the public) to modulate the rhythm of words.
The suspicion is that you can not take advantage of the enormous wealth of a text, that of Lessing, who has a lot to be said for the current ethical and philosophical assumptions, and instead to remain stationary in a size that does not affect the contemporary. That the director, then, do not abdicate its mission and authorial not shirk the duty of the public Offir interpretation of this messiscena and not a "service"!
look forward to assist the interpretation of which will Nathan the Wise (this time quasi-integral) Carmelo Rifici in the new production of the Piccolo Teatro, which will debut Tuesday, March 15 at the Teatro Grassi Street Rovello.
seen at the Teatro Franco Parenti 2.III.2011
CRUSADES
Loosely based on Nathan the Wise Gotthold Ephraim Lessing
adaptation, mitigation and directed by Gabriele Vacis
with Valerio Binasco
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