Malamore Conchita de Gregorio
with Lucrezia Lante della Rovere
piano Vicky Schaetzinger
directed by Francesco Zecca
Lucrezia Lante della Rovere passes in the audience gently, with the elegance that distinguishes her poise, her figure, her clothing, which combines men and women: men in shorts, women in the top that leaves uncovered back. These Exercises resistance to pain " start putting the spotlight the personal choice to make space for career without sacrificing family. It 's the starting point of a journey where they meet in the feminine violence, fear, pain. Indeed, confidence pain, what really distinguishes women. In this path you come across a few symbols of modern femininity: Louise Bourgeois at the graduate who is a prostitute to keep up to Dora Maar, whose story involves us more than others, perhaps because most of the other affects us. It 's the story of a woman who vanishes for love in the human personality (Picasso, "is an instrument of death ... is not a man, is disease "), which ends up being the executioner.
The actress talks to the audience (we hope that one day the Italian public to interact with those who passively embalmed from above the stage calls for participation) and puts on the table discussion of the papers of emancipation, the vulnerability of men, fear of women to be themselves when they themselves mean autonomy, independence.
In a theater that wants to become harem (and he succeeds, maybe sin a bit 'of convenience) that are exceptionally welcome men too - which groped to understand the amazing complexity of femininity (admirable Stoicism in pursuit of the impossible) - there is also room for the smile that evokes the 'little mouse teaching. You smile, until you understand that we are all a bit '"mice", convinced us that the cat will be different and we do not eat.
The elegance of Lante della Rovere pervades the scene, simple, illuminated with a light wrap that brings out the star and pianist Vicky Shaetzinger, already seen in other shows, escort and interpreter share intense. The actress
amazed us: in this very Roman name of television we had some injury, denied by an interpretation appassionata. Meglio, comunque, la recitazione delle storie che non nella cornice di commento/riflessione: la Lante della Rovere dà corpo e sfumature con la propria vocalità ora soffiata, ora dirompente, ora delicata alle donne che interpreta. Manca un po' di verità, invece, quando si rivolge direttamente alla platea.
La delusione (anche questa inaspettata) arriva nel testo di Concita de Gregorio: manca la coesione tra le varie storie, o meglio il fil rouge è l'amore che distrugge le donne, ma nel sostenere questo argomento l'autrice sembra a tratti ripiegarsi su un autoreferenziale discorso postfemminista di affermazione della parità dei sessi e della diversità da difendere delle donne.
Bello, however, find a night to stop our messy lives and remember what being a woman today, here.
Tieffe seen at the Theatre Menotti 29.I.2011
0 comments:
Post a Comment